- Advertisement-

What is the Difference Between the Wurlitzer 200a And 200

Difference between the Wurlitzer 200a, 200 – The Wurlitzer Electric Piano model 200 was the 1st Wurlitzer Electric Piano evolve from the wooden Wurlitzer Electric Pianos right from 1960’s.
Wurlitzer Electric Pianos was introduced in 1968; this was the starting of the classic model years for Wurlitzer Electric Pianos.
The Wurlitzer Electric Pianos model 200 was lighter and sleeker due to it’s new ABS plastic contoured top.
a new design was featured a action as well as two 4×8 speakers, an updated amplifier design which now implemented new Silicon Transistors as opposed to Germanium.
The piano offered a chrome legs, new sustian pedal type and an auxiliary line-out for a recording which was unavailable on earlier Wurlitzer Electric Pianos.

What is the difference between the Wurlitzer 200a, 200

In the year 1975 Wurlitzer came out with Wurlitzer Electric piano model 200A and stands as one of the best piano model.
It almost look the same in appearance to the Wurlitzer Electric Piano model 200, the changes were subtle and mostly on the inside.
Wurlitzer updated the amplifier once again by placing the pre amp at the top of the hard to reduce the noise and make it more better.
They used an LDR for the vibrato insteas of modulating the pre amp gain with a reactance modulation.

- Advertisement -

Read also: How Does The Effects Loop on a Vintage Vibe Piano Work?

A shielding kit was added for AC HUM reduction and the extra shield on the pick ups to reduce noise.
However, the removal of alnico speakers from amp plate gives room to installed ceramic 4×8 speakers onto the ABS plastic lid.
The 1k variable gain aux out pot was finally introduced next to aux/headphone out and other minor changes.

  • Wurlitzer electric piano for sale
  • Amplifier board
  • Wurlitzer electric piano 200a
  • Electric baby grand piano
  • Wurlitzer baby grand piano

Thousands of people keep on wonder about the sound differences between the two models and the untrained ear the differences are almost undetectable.
Therefore 200A had a depth pot on the tremolo that could be able to made to sound stronger than the one of the 200 model but at the same time it could as well easily distort if is up to high.
The output signal of the 200A was as greater and had less noise than 200 model. Also the reeds in the later 200A MODEL were of a thicker plate which made the tone fuller with a mellow overtone.
The reeds on early 200 model were thinner which added more harmonics to the sound.
These reed differences could be disguised by the custom voicing out the pick-ups making it close impossible to describe the difference between the two in blind folded test.
To our own view, neither one is better, it all has to do with how it is set up as well as what kind of condition it is in.
We saw plenty of so called “Min 200A models that sound horrible and also had plenty road worn 200 models that have blown us away conically.
Remember all of the sweet and wonderful songs and albums recorded on Wurlitzer’s prior the 200A.


Comments are closed.